北海道を流れる石狩川が日本海に流れ込む河口の浜辺で拾ったプラスティックのかけらを組み合わせて作成した作品で、フォーマリズム的絵画作品と架空の道具により構成される。
川と海流とが複雑な流れを構成するこの地域は、川と大陸との両方からの漂流物が漂着し、通常の物流経路に限らないグローバリズムの様相を示してくれる。

These works were made of plastic debris picked up on the beach located at the crossing site of the estuary of Ishikari river and the sea between Japan and Korea. Washed-up debris by complicated sea currents show us another globalism from what we see in the usual product distribution. An output of this work is "Fictitious Tools" and "Formalistic Objects", whereas a background of these works, there are two themes I am interested in:

Sustainability
The aim of making this work is not to use any traditional painting materials, but the works are formalism-style objects.

Surroundings
One of my interests is the existence that surrounds us from air and water to social systems. Fragments of what used to be something products are essential in this industrialized society.