2022objects

From Across the Sea

objects 2022

2022video

The Phase Transition

video 2022

2022painting

The Phase Transition

painting 2022

2021video

手紙/편지/A Letter

video & performance collaboration project 2021

2020objects

Molecular of the Socks

objects 2020

2019video

Alternating / Direct Currents

video project 2019

2019video

Joining with Nature

video project 2019

2019video

Floating Buddha Statue Science Experiment

video project 2019

2019video

At Kogane Mini-residence

video 2019

2019video

Intended Behavior

video project 2019

2019video

The Sea

video 2019

2018video

Study of Cola

video 2018

2017video

Slogan

video 2017

2017video

Tourism in Hardanger

video 2017

2017video

Measure

video 2017

2017video

Fraction

video 2017

Yuko Kinouchi is a visual artist based in Tokyo. She uses painting, video, performing and installation as a fiction or a documentation of experimental action through sociological and local environment research. She graduated from Tama Art University in Tokyo. Her works explore and study ways of building a relationship between action and place, and at the same time, experimenting to see if the action makes sense in our society. She extracts structures from what she observes in each area, and rebuilds them as fiction or adds performances to make small changes to study how the circumstances surrounding our lives influence us.

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Education

2010 - 2013

Yotsuya Art Studium (Prof. Kenjiro Okazaki), Japan

2006 - 2008

MFA Tama Art University, Japan

2002 - 2006

BFA Tama Art University, Japan

Exhibition (selected)

2021

"Tamabi DNA :A Genealogy of Comtemporary Nihonga Japanese Painting since 1965" Tama Art University Art-Theque Gallery, Tokyo, Japan

2019

"Alternating / Direct Current" KulttuuriKauppila Art Centre, Ii, Finland

2019

"Join with Nature" Art House Nahkuri, Kärsämäki, Finland

2019

"Between" Koganecho area management center, Yokohama

2017

Nakanojo Biennale 2017 Nakanojo, Gunnma

2016

Minato Media Museum 2016 Nakaminato, Ibaragi

2014

SICF15 Spiral, Tokyo

2013

“I was you, you will be me” akibatamabi21, Tokyo

2012

“the branch cut” Gallery Objective Correlative, Tokyo

Screening (selected)

2016

Movies-High 16 K’s cinema, Tokyo

2015

Tamabi Eizo Festival in Akibatamabi 21 akibatamabi 21, Tokyo

Artist in Residence

2019

KulttuuriKauppila AiR in Ii, Finland

2019

Air Frosterus in Kärsämäki, Finland

2019

Koganecho Artist in Residence in Yokohama, Japan

2017

Kunstnarhuset Messen International Artist Residency in Ålvik, Norway

2015

NCCA (National Center for Contemporary Arts) Artist in Residence St Petersburg, Russia

2015

The Tartu Artist in Residence in Tartu, Estonia

2014

The D’CLINIC studios Lendava, Slovenia

Award, Scholarship

2014

Humio Nanjo Judges’ Prize SICF15 Spiral, Tokyo

2006 - 2007

Sato International Cultural Scholarship Foundation

 

2006年

多摩美術大学卒業

2008年

多摩美術大学大学院修了

2010 - 2013年

四谷アート・ステュディウム在籍

2017年

中之条ビエンナーレ2017 参加

2016年

みなとメディアミュージアム2016 参加

2016年

Movies-High 16 (K’s cinema)にて作品上映

2015年

多摩美映像フェスティバルin Akibatamabi21 にて作品上映

2014年

SICF15(Spiral Independent Creators Festival 15)南條史生賞受賞

ほか、フィンランド、横浜、ノルウェー・ロシア・エストニア・スロヴェニアにてアーティスト・イン・レジデンスに参加。

Statement

My art practice focuses on an interpretation of the term "misunderstanding" that is influenced by displacement of meaning.

The relationship between images and their meanings, as well as the relationship between fiction and reality, fascinated me for these years. The most interesting aspect for me is “misunderstanding” which often happens in our everyday life when something affects our recognition and changes the precondition. Also, people have different images of the same word which causes miscommunication. This contributes to the cause of misunderstanding, and I reckon that this aspect can be considered as the displacement of meaning.

In order to conduct examinations of what happens if preconditions change, I use video and performance format, painting, and objects. In these examinations, I take an action in a different context. For instance, setting up studio equipment such as a desk, a chair, and painting materials outside the studio building.

In addition, I often use basic materials in our lives such as salt, electricity, and fire so as to question how we recognize the elements of ordinary use in our everyday life. These elements have a decided function in our everyday life, however, I assume there is another possibility of using way. In order to unfold the ordinary use of the elements, I start basic science experiments. Documentation of the processes of the experiments is one of the essential parts of my work.

Simultaneously, I use fiction and the documentation of performance to explore the possibilities of an unknown world. I am interested in the boundary between fiction and reality that we can encounter in our memory, dream, daydream, and envisioning the future. By extracting the structure by observing aspects of our everyday life, and transforming it into fiction or adding some actions, I study how the story will be affected.

日常生活の中でたびたび起こりうる認識齟齬や勘違いについて興味がある。何らかの認識が成り立つための前提条件を変数として、その値によりどのようなアプトプットが行われるかの実験を行なっている。
具体的には意味の置き換えを軸に、主に映像や身体行為、オブジェクト、絵画の制作を使用し、例えば日常の行為を異なるバックグラウンドに置き換えることで文脈をずらして社会の中で意味を持つ行為か否かを試したり、電気や塩など日常的な科学・化学の非日常的な使用方法によるものの変化に焦点をあてる実験を行う。
また同時に、ものや事象について観察して構造を抽出し、フィクションとして組み換えたり、パフォーマンスを加えるなど小さな変化を与えることにより、私たちを取り巻く環境がどう私たちの生活に影響するかを考察する。

contact

email: yuko.kinouchi at gmail.com